Indian Art and Culture: key facts and practice questions

Revise Indian Art and Culture for SSC, Railway, police and state PSC exams: the facts and distinctions that keep coming up, a one-glance revision list, and 10 practice questions with answers and explanations.

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Key concepts and facts

  • Classical and folk dance: The Sangeet Natak Akademi recognises eight classical dances: Bharatanatyam (Tamil Nadu, earlier called Sadir), Kathak (North India, with Lucknow, Jaipur and Banaras gharanas), Kathakali (Kerala, elaborate make-up, traditionally performed by men), Mohiniyattam (Kerala, graceful dance of women), Kuchipudi (Andhra Pradesh, systematised by Siddhendra Yogi), Odissi (Odisha, tribhanga and chowk postures), Manipuri (Raslila, pung cholom, cylindrical kumil skirt) and Sattriya (Assam, begun by Srimanta Sankardeva, recognised in 2000). Folk dances are a state-matching game: Bhangra and Giddha (Punjab), Garba (Gujarat), Ghoomar and Kalbelia (Rajasthan), Bihu (Assam), Lavani (Maharashtra), Chhau (Seraikela in Jharkhand, Mayurbhanj in Odisha, Purulia in West Bengal), Dumhal and Rouf (Jammu and Kashmir), Karma (Jharkhand, Chhattisgarh).
  • Music: Hindustani (north) and Carnatic (south) traditions separated after the 13th century. Dhrupad is the oldest surviving Hindustani vocal form, Khayal the most popular, Thumri and Tappa are semi-classical. Gharanas take their names from towns: Gwalior (the oldest khayal gharana), Agra, Kirana, Patiala and Jaipur-Atrauli. Carnatic music rests on the 72 melakarta ragas of Venkatamakhin; its trinity is Tyagaraja, Muthuswami Dikshitar and Syama Sastri, while Purandara Dasa is its Pitamaha. Bhatkhande classified Hindustani ragas into ten thaats. Instrument-exponent pairs: Bismillah Khan shehnai, Ravi Shankar sitar, Amjad Ali Khan sarod, Shivkumar Sharma santoor, Hariprasad Chaurasia flute, Zakir Hussain tabla.
  • Architecture: Harappan cities had grid planning, burnt-brick drains and the Great Bath at Mohenjo-daro. Ashoka gave us pillars, the original brick stupa at Sanchi (the carved stupas of Bharhut and Amaravati belong to the post-Mauryan period) and the Barabar caves for the Ajivikas, the earliest surviving rock-cut caves. Ajanta (murals), Ellora (Kailasa temple of Rashtrakuta Krishna I) and Elephanta (Trimurti) are all in Maharashtra. Temple styles: Nagara (north, curvilinear shikhara: Khajuraho by the Chandelas, Konark by Narasimhadeva I of the Eastern Gangas, Lingaraja at Bhubaneswar), Dravida (south, pyramidal vimana and gopurams: Brihadeeswara at Thanjavur by Rajaraja Chola I, Meenakshi at Madurai rebuilt by the Nayakas) and Vesara (Karnataka hybrid: Chalukyas at Badami and Pattadakal, Hoysalas at Belur and Halebidu). Chola bronzes such as Nataraja were cast by the lost-wax method. Indo-Islamic architecture brought the true arch, dome, minaret and pietra dura: Qutub Minar (Aibak and Iltutmish), Alai Darwaza (Alauddin Khalji), Tughlaqabad (Ghiyasuddin Tughlaq). Mughal landmarks: Humayun's Tomb (first charbagh garden tomb), Fatehpur Sikri and Buland Darwaza (Akbar, Gujarat victory), Taj Mahal and Red Fort (Shah Jahan). Colonial: Victoria Memorial (Emerson), Rashtrapati Bhavan (Lutyens), Parliament House (Baker).
  • Sculpture and painting: Gandhara (Greco-Roman, grey schist, Kushana), Mathura (red sandstone, indigenous) and Amaravati (white limestone, locally called Palnad marble, Satavahana and Ikshvaku) are the three early schools; the Didarganj Yakshi of Patna shows the Mauryan polish. Painting runs from Bhimbetka rock shelters (Madhya Pradesh) and Ajanta murals (Padmapani) to Mughal miniatures (Humayun brought Mir Sayyid Ali and Abdus Samad; Jahangir's court had Ustad Mansur), Rajasthani schools (Kishangarh's Bani Thani, Mewar, Bundi), Pahari schools (Basohli, Kangra), Deccani, Tanjore (gold foil) and Mysore. Folk painting by state: Madhubani (Bihar), Warli (Maharashtra), Pattachitra (Odisha), Kalamkari (Andhra Pradesh), Phad and Pichwai (Rajasthan), Gond (Madhya Pradesh), Cheriyal (Telangana). Modern: Raja Ravi Varma, Abanindranath Tagore's Bengal School (Bharat Mata), Amrita Sher-Gil, Progressive Artists' Group (Bombay, 1947).
  • Heritage, festivals and crafts: India's first UNESCO sites (1983) were Ajanta, Ellora, Agra Fort and Taj Mahal; later came Khajuraho and Hampi (1986), Sanchi (1989), Bhimbetka (2003), Ahmedabad as the first heritage city (2017) and Jaipur (2019). The three mountain railways are Darjeeling, Nilgiri and Kalka-Shimla; Khangchendzonga is the only mixed site. Festivals: Pongal (Tamil Nadu), Onam (Kerala, Mahabali), Bihu (Assam), Hornbill (Nagaland), Hemis and Losar (Ladakh), Chhath (Bihar, Sun God), Durga Puja (Bengal), Pushkar fair (Rajasthan), Sonepur cattle fair (Bihar), Kumbh at Prayagraj, Haridwar, Ujjain and Nashik. Crafts: Pashmina (Kashmir), Phulkari (Punjab), Chikankari (Lucknow), Banarasi silk, Blue pottery (Jaipur), Bidriware (Bidar), Channapatna toys (Karnataka), Kanjeevaram silk (Tamil Nadu), Dhokra lost-wax metal craft (Chhattisgarh, Odisha).
  • Literature, theatre and philosophy: Panini's Ashtadhyayi, Kalidasa's Abhijnanashakuntalam and Meghadutam, Shudraka's Mrichchhakatika, Vishakhadatta's Mudrarakshasa; Tamil classics: the Sangam-tradition grammar Tolkappiyam and the later, post-Sangam works Silappadikaram (Ilango Adigal), Manimekalai (Sattanar) and Tirukkural (Thiruvalluvar). Bhakti poets by language: Tulsidas (Awadhi), Surdas (Braj), Tukaram (Marathi), Basavanna (Kannada vachanas), Narsinh Mehta (Gujarati), Shankardeva (Assamese). Abul Fazl's Ain-i-Akbari is part of the Akbarnama; Jayasi's Padmavat is in Awadhi; Tagore's Gitanjali won the 1913 Nobel. Jnanpith (first given in 1965 to G. Sankara Kurup) is the highest literary award; eleven classical languages as of October 2024: Tamil, Sanskrit, Telugu, Kannada, Malayalam and Odia (recognised by 2014), and Marathi, Pali, Prakrit, Assamese and Bengali (added in October 2024). Theatre and puppets: Kutiyattam (Kerala), Yakshagana (Karnataka), Jatra (Bengal), Nautanki (Uttar Pradesh), Bhavai (Gujarat), Tamasha (Maharashtra), Kathputli (Rajasthan), Tholu Bommalata (Andhra Pradesh). Martial arts: Kalaripayattu (Kerala), Silambam (Tamil Nadu), Thang-Ta (Manipur), Gatka (Punjab). Philosophy: Nyaya-Gautama, Vaisheshika-Kanada, Samkhya-Kapila, Yoga-Patanjali, Mimamsa-Jaimini, Vedanta-Badarayana; four Buddhist councils at Rajgir, Vaishali, Pataliputra and Kundalvana (Kanishka); Parshvanatha was the 23rd Tirthankara; Guru Arjan Dev compiled the Adi Granth and Guru Gobind Singh founded the Khalsa in 1699. Institutions: Sangeet Natak Akademi (1953), Lalit Kala and Sahitya Akademi (1954), ASI (1861, Cunningham), National Museum (New Delhi), IGNCA.
  • Common traps: Chhau is not a classical dance; Konark was built by the Eastern Gangas, not the Cholas; Humayun's Tomb, not the Taj, is the first charbagh tomb; Purandara Dasa is the Pitamaha, not a trinity member; Bani Thani is Kishangarh, not Kangra; Sonepur fair is in Bihar, Pushkar in Rajasthan.

One-glance revision list

  • Eight classical dances, two from Kerala: Kathakali (men, heavy make-up) and Mohiniyattam (women). Remember K and M both belong to Kerala.
  • Chhau is NOT classical: it is a martial folk dance with Seraikela (Jharkhand) and Purulia (West Bengal) styles using masks, while Mayurbhanj (Odisha) is performed without masks.
  • Carnatic trinity = Tyagaraja, Muthuswami Dikshitar and Syama Sastri, all born in Thiruvarur; Purandara Dasa is the Pitamaha of Carnatic music, not a trinity member.
  • Temple styles in one line: Nagara = curved shikhara (north); Dravida = pyramidal vimana plus gopuram (south); Vesara = hybrid (Karnataka, Chalukya and Hoysala).
  • Firsts of Indo-Islamic architecture: Alai Darwaza (Alauddin Khalji, earliest surviving true dome; the first true arch is credited to Balban's tomb, c. 1287); Humayun's Tomb (first charbagh garden tomb); Itmad-ud-Daulah's tomb (first Mughal structure built entirely of white marble, with pietra dura inlay).
  • Three early sculpture schools: Gandhara = grey schist and Greek look; Mathura = spotted red sandstone and Indian look; Amaravati = white limestone (called Palnad marble) and Satavahana narrative panels.
  • Folk painting state map: Madhubani-Bihar, Warli-Maharashtra, Pattachitra-Odisha, Kalamkari-Andhra Pradesh, Phad and Pichwai-Rajasthan, Gond-Madhya Pradesh, Cheriyal-Telangana.
  • UNESCO first four (1983): Ajanta, Ellora, Agra Fort, Taj Mahal. The only mixed (natural plus cultural) site in India is Khangchendzonga National Park, Sikkim.
  • Kumbh cities and rivers: Prayagraj (Sangam), Haridwar (Ganga), Ujjain (Shipra), Nashik (Godavari). Varanasi is NOT a Kumbh city.
  • Six darshanas and founders: Nyaya-Gautama, Vaisheshika-Kanada, Samkhya-Kapila, Yoga-Patanjali, Mimamsa-Jaimini, Vedanta-Badarayana.
  • Fair map: Pushkar camel fair (Rajasthan, Kartik Purnima) versus Sonepur cattle fair (Bihar, at the Gandak-Ganga confluence, Harihar Kshetra).
  • Great Living Chola Temples (UNESCO): Brihadeeswara at Thanjavur, Gangaikonda Cholapuram and Airavatesvara at Darasuram, all in Tamil Nadu.

Practice questions

Try each question before opening the answer.

1. Which classical dance form of Kerala is traditionally performed by men wearing elaborate make-up and costumes, with stories drawn from the epics? (A) Kathakali (B) Kuchipudi (C) Odissi (D) Sattriya

Answer: (A) Kathakali. Kathakali is the dance-drama of Kerala, traditionally performed by male artists with heavy, colour-coded make-up (green for noble heroes, red for villains). Kuchipudi is from Andhra Pradesh and Sattriya from Assam.

2. The 72 'Melakarta' raga classification system, formulated by Venkatamakhin, belongs to which musical tradition? (A) Hindustani classical (B) Carnatic classical (C) Sufi qawwali (D) Rabindra Sangeet

Answer: (B) Carnatic classical. The 72 melakarta (parent) ragas are the basis of Carnatic music and were systematised by Venkatamakhin in his Chaturdandi Prakashika (17th century). Hindustani ragas are grouped into ten thaats by Bhatkhande.

3. Which of the following folk painting and state pairs is NOT correctly matched? (A) Warli - Maharashtra (B) Phad - Rajasthan (C) Cheriyal scroll - Telangana (D) Gond - Odisha

Answer: (D) Gond - Odisha. Gond painting belongs to the Gond tribe of Madhya Pradesh, popularised by Jangarh Singh Shyam. Odisha's folk painting is Pattachitra. Warli, Phad and Cheriyal are correctly matched.

4. The Sanskrit drama 'Mrichchhakatika' (The Little Clay Cart), the story of the merchant Charudatta and the courtesan Vasantasena, was written by whom? (A) Kalidasa (B) Bhasa (C) Shudraka (D) Vishakhadatta

Answer: (C) Shudraka. Mrichchhakatika is attributed to Shudraka. Bhasa wrote Swapnavasavadatta, and Vishakhadatta wrote Mudrarakshasa, which deals with Chanakya and Chandragupta Maurya.

5. The Archaeological Survey of India (ASI) was founded in 1861. Who was its first Director General, often called the father of Indian archaeology? (A) James Prinsep (B) John Marshall (C) Mortimer Wheeler (D) Alexander Cunningham

Answer: (D) Alexander Cunningham. Alexander Cunningham founded the ASI in 1861 and served as its first Director General. James Prinsep deciphered the Brahmi script, John Marshall oversaw the Harappan excavations in the 1920s, and Mortimer Wheeler was DG in the 1940s.

6. Consider the following statements about the Ajanta caves: 1. The earliest caves date to about the 2nd century BCE. 2. The site has Jain caves as well as Buddhist ones. Which of the statements given above is/are correct? (A) 1 only (B) 2 only (C) Both 1 and 2 (D) Neither 1 nor 2

Answer: (A) 1 only. Ajanta's first caves were cut in the 2nd-1st centuries BCE and a second phase followed in the 5th century CE. All the caves are Buddhist; Ellora is the Maharashtra site that also has Jain caves.

7. The Gateway of India in Mumbai was built to commemorate the landing of whom at Apollo Bunder in 1911? (A) Queen Victoria (B) Lord Curzon (C) King George V and Queen Mary (D) Edward, Prince of Wales

Answer: (C) King George V and Queen Mary. The arch, designed by George Wittet and completed in 1924, marks the visit of King-Emperor George V and Queen Mary in December 1911. Queen Victoria never visited India.

8. Jivya Soma Mashe, awarded the Padma Shri, brought international recognition to which tribal painting tradition? (A) Warli (B) Gond (C) Saura (D) Pithora

Answer: (A) Warli. Jivya Soma Mashe of Maharashtra's Thane-Palghar belt turned Warli painting, made with white rice paste on mud walls using circles, triangles and lines, into a celebrated art. Gond art is from Madhya Pradesh and Saura from Odisha.

9. Kerala Kalamandalam, set up in 1930 to revive Kathakali and other performing arts of Kerala, was founded by which Malayalam poet? (A) Kumaran Asan (B) Vallathol Narayana Menon (C) Ulloor S. Parameswara Iyer (D) G. Sankara Kurup

Answer: (B) Vallathol Narayana Menon. The poet Vallathol Narayana Menon founded Kerala Kalamandalam in 1930 along with Manakkulam Mukunda Raja; it now functions at Cheruthuruthy in Thrissur district. Kumaran Asan and Ulloor were his fellow members of the trio of modern Malayalam poets.

10. The Bauls, wandering mystic minstrels who sing to the one-stringed ektara, are a tradition associated mainly with which Indian state? (A) Odisha (B) Assam (C) West Bengal (D) Bihar

Answer: (C) West Bengal. The Bauls of Bengal blend Vaishnava and Sufi ideas in their songs, and Lalon Fakir is among their most revered poets. Rabindranath Tagore was deeply influenced by Baul music.

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